THEA WEISS
YOUR LOVE SUSTAINS
THE LIVING
My mother's love was a source of unconditional care and sacrifice. She provided the emotional and physical strength and nourishment for me to grow and thrive.
The series consists of ten caustic soda on lino prints, each highlighting a decade of her truly inspirational life.

Caustic soda on lino print on Awagami Kozo 60 x 60 cm Ed 1 / 2 $880 unframed

Caustic soda on lino print on Awagami Kozo 60 x 60cm Ed 1 / 2 $880 unframed

Caustic soda on lino print on Awagami Kozo 60 x 60cm Ed 2 / 2 $880 unframed

Caustic soda on lino print on Awagami Kozo 60 x 60 cm Ed 1 / 2 $880 unframed
WHO SHALL
BE CONTENT
Who shall be content and who shall wander in search of satisfaction
Rosh Hashanah, Musaf Service, Repetition of the Amidah
Nature has had a meditative effect on me.
I am drawn to the natural world, in particular, trees – seeking out and examining the trunks and the personality each one reveals.
The absence of bark on White Flooded Gum may represent the loss of memories or life;
peeling back the multiple, dense layers of the Paperbark can unleash a history of emotions.
For me, the roots of the tree hark back to stability and a place in time.
These same roots reflect my connection with the heritage of my Jewish American mother and Czech born, Holocaust survivor, mother-in-law.
Roots reach out for sustenance and nourishment
in the same way that these relationships have enriched my life.

Drypoint, gel carborundum, bitumen, encaustic wax. 63cm x 63cm $880 framed

Drypoint, gel carborundum, bitumen, encaustic on Awagami Kozo paper 42cm square $640 unframed

Caustic soda etch on lino with stencils 61cm x 49cm $880 unframed

Drypoint, gel carborundum, bitumen, encaustic wax. 63cm x 63cm $880 framed
MY MOTHER, MY MUSE
As an only child, I was brought up by a single parent. My mother, Anne, took the role of guardian, friend, companion, teacher and most importantly for me, role model. Anne overcame all obstacles - poverty, illness, unhappiness - and taught me that every moment counted.
Much of my work utilises the stories my mother has relayed, both orally and in her writing. The words have been sewn into garments replicating her original 19040s jacket, gloves and hats and then etched onto zinc plates or stamped into wafer boards.

Encaustic wax, oils and envelopes 167 x 112 cm NFS

Vernis a graver etching on Fabriano Tiepolo 38 ½ x 26 ½ cm $280 unframed

Collagraph, soft ground, etched Perspex & thread on various supports 56cm x 70 cm $1200 unframed

Encaustic wax, oils and envelopes 167 x 112 cm NFS
PASSED / PRESENT
Once was……
Bountiful abundance of billabongs, rivers and marshes
Sustaining indigenous communities
Plants and food nourished by the fertile soil
Swans, pelicans, cranes and curlews cradled in its bosom
A place where crows met
Does one now lament the loss
Grieve the past
Or embrace what beauty now beholds
The flowing Murrumbidgee
The gentle trees warming its banks
The new crows
The new meeting place

Caustic soda etchings on various supports 77cm x 106cm $2000 framed

Caustic soda etchings on various supports 77cm x 106cm $2000 framed

Ink drawing on collage of envelopes 31.5cm x 31.5cm $400 framed

Caustic soda etchings on various supports 77cm x 106cm $2000 framed
‘Forgiving does not erase the bitter past. A healed memory is not a deleted memory.
Instead, forgiving what we cannot forget creates a new way to remember.
We change the memory of our past into a hope for our future.’
Lewis Benedictus Smedes, 1921 – 2002, Professor Emeritus of Theology & Ethics at Fuller Theological Seminary
Lotte Weiss was a Holocaust survivor.
She never forgot the horrors of her three years of internment at Auschwitz and Birkenau.
Yet it was her immense life force that propelled her through the torture and devastation enveloping her.
Her inherent integrity and morality remained steadfast.
And it was her capacity for goodness, kindness and love which never faltered throughout the misery
and beatings she endured, to give her the strength and the will for survival.
Lotte was a blossom not crushed by the Nazis.
Through her weekly passion as a volunteer guide at the Sydney Jewish Museum for 25 years
Lotte proved that she believed in miracles.
Lotte Weiss was my mother-in-law.
Lotte had related these stories of unbelievable and unmentionable horror during the past 47 years.
Her memory had remained razor sharp. Her words flowed without hesitation.
Her voice was calm. There was no bitterness or anger.
In 2003, Lotte documented her experiences, in her book, MY TWO LIVES. Her first life began in November
1923 and ended in March 1942. Her second began May 1945.
She changed the memory of her past into a hope for her future.
Through my journey of MY TWO LIVES I have found that there has been so much to interpret.
The choices I have made reflect the passages that highlight Lotte’s courage to withstand
all that she had endured – the miracles and her memories.
Lotte Weiss 1923 – 2021
May her blessed Memory live with us all, forever.
2065 - A HEALED MEMORY

Oil and wax on waferboard 125cm x 82cm $1800 unframed

Oil and wax on canvas 102cm x 138cm $1800 unframed

Acrylic, printing ink and ash on waferboard 63cm x 196cm $1500 unframed

Oil and wax on waferboard 125cm x 82cm $1800 unframed
A FLEETING BREEZE
"Grass withers, flowers fade
Indeed, man is but grass"
(Isaiah 40.7)
How fleeting human presence is in the journey of history - a defiant declaration of the triumph of human spirit and spirituality of the land.
The Pilbara region in Western Australia contains rocks formations that are 2.7 billion years old, etched and eroded into spectacular gorges by the once explosive forces of water.

Caustic soda etchings on various supports & mixed media 100cm x 140 cm U/P $3500 unframed

Caustic soda etchings on various supports 100 cm x 80cm U/P $3000 framed

Encaustic & oil on wafer board 36cm x 46cm $850 framed

Caustic soda etchings on various supports & mixed media 100cm x 140 cm U/P $3500 unframed